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Below is a list of longer pieces. For a glimpse into some shorter meanderings, I’m on Letterboxd.
Here is a collated list of my contributions for Deadline Hollywood.
And my contributions for Slant Magazine.
And my contributions for In Review Online.
And my contributions for Boing Boing.
And a link to my Substack, where I write some more esoteric offerings.
The Art of Racial Pandering in Hanukkah on Rye (2022) - Published for Salon on December 19th, 2022
Drive My Car by Ryûsuke Hamaguchi (2021) - Winner of the 2022 New York Film Critics Circle Graduate Student Prize for Criticism
The Visitor by Giulio Paradisi (1979) - Winner of the 2022 New York Film Critics Circle Graduate Student Prize for Criticism
Ruddy & Ebullient: Imelda Staunton in Mike Leigh’s Vera Drake - Published here on June 26th, 2022
Mémoire Involontaire: Self-Reflexivity in the Cinema of Agnès Varda & Abbas Kiarostami - Published here on January 15th, 2022
Our Bear from Peru: Considering Paddington 2’s Critical Ascendancy - Published for The Servant on October 25th, 2021
The Infrastructure of Power: Night & Fog 65 Years Later - Published for IfNotNow on June 17th, 2021
An Early Spring: Groundhog Day and the Power of Solidarity - Published here on February 2nd, 2021
The Cinematic Lineage of Quentin Dupieux’s Deerskin - Published for Vague Visages on September 2nd, 2020.
#MeToo in Three Recent Films: The Assistant, Never Rarely Sometimes Always & On The Record - Published for Bright Lights Film Journal on July 31st, 2020.
The Criterion Collection Now Includes Nazi Olympics Propaganda. Cool. - Published for Knock-LA on July 24th, 2020.